Day Two Hundred and Fifty-eight: Derelict, part 1
Mara hated how her breathing sounded inside the spacesuit. Her helmet amplified everything – the slow draw of the inhale, with that ever-so-faint squeak at the end. A leftover from the asthma she’d had as a child. The exhale that whooshed out and echoed in her ears, a hollow, close sound that made her feel like she’d been buried alive. It would have been worse if the visor had fogged up, but the thermal plastic kept that from happening. A small blessing. With her own hollow breath in her ears, she turned on her helmet camera and keyed in the override for the airlock.
The interior of the derelict ship wasn’t what she’d expected. Darkness, dust, broken things – that was what every fiction she’d seen since childhood had prepared her for. It was a well-worn plot, after all: distress call, motionless ship, no answer. Followed by a throwaway character going in to explore and being devoured by something the filmmakers could barely afford to pay for.
Of course, no one had ever run into a horrible, carnivorous Monster from Beyond the Stars before, so Mara assured herself that she was perfectly safe. Right on the heels of that thought was the quiet whisper in the back of her mind that said, “But there’s always a first time.”
She wasn’t sure what bothered her more, that she might get eaten alive or that she might be a throwaway character. Neither was very appealing to think about.
The helmet radio crackled in her ear. “Mara, we’re seeing the airlock open. How does everything look?”
She gave herself a light push off the wall and drifted through the hatch. “All looks good, Marco,” she said. “The lights are on.” She checked the readout on her helmet display. “Atmosphere seems intact.” She reached out to the wall and let the ridged fingertips of her gloves drag her to a halt. “Gravity’s off, but otherwise…”
Otherwise it looked like someone should come around the corner any minute and ask her what the hell she thinks she’s doing there. “Marco, what’s the stats on this ship?”
“Hold,” he said. A few loud breaths later, he was back. “Huh,” he said. “Looks like a Hermes-class, small diplomatic vessel. Uploading schematics now.” An orange icon blinked into life on her helmet screen, in the lower left. Mara held her gaze on it, and a detailed 3-D map of the ship blossomed before her eyes.
“Did the S.O.S. say anything about it being a diplomatic mission?” she asked.
“Not a thing,” Marco said. “And you’d think that might be the kind of information that’d be useful. But it was just a distress call, and nothing else. Automated, sent out to Any and All.”
“Nope. If I can get the ship’s ID code, Ken might able to dig something up. He said he did a database backup at our last station visit. Try the bridge, see what you can find.”
“Gotcha.” She glanced around the schematic until she found the bridge – three decks up and at the farthest point from where she was now. “Marco. Grab my helmet feed. Tell me if I’m missing anything.”
“Already done,” he said. “Off with you.” The persistent hiss of the open channel clicked off.
There was a lift about ten meters down the corridor. She thought about it, and then called up the schematics again to look for an access vent. Someplace where she would be slightly less trapped. She pulled a vent cover off and stuck her head inside. It would be close, but she could fit.
The trip along the vent was short and uneventful. She braced her back against the wall and pushed with her feet, popping the vent cover off and sending it bouncing off the opposite wall. When she looked out into the corridor, the first thing she did was curse. Loudly and well.
“Mara?” Marco’s voice cut through the mix of rage and fear that she found herself overwhelmed by. “Mara, is everything okay?”
Everything was most certainly not okay. The walls were covered with old, dried blood. There were splashes on the floor and ceiling alike, bloody handprints, and long, smeared drag marks. It was all a dark, iron brown, and there were tiny flecks of dried blood floating in the air like motes of dust in an abandoned house.
“Holy shit,” Marco said.
Mara swallowed hard. “My thoughts exactly.”
“What do you think happened?”
Mara was pretty sure she knew what happened. She figured Marco knew too, but the question still had to be asked. “Looks like we’re gonna have to find out,” she said. The blood trail led off to her right, which the schematics said was in the direction of the bridge. “I’ll follow this,” she said. She pulled herself out of the access vent and started floating along the corridor, following the blood.
There was more blood as she went along, and the bloody dust in the air seemed to be getting thicker. When she turned the first corner, it just got worse.
There was a head resting where the floor and wall met, and it was facing away from her. It was a small blessing, but the rest of the corridor looked like a slaughterhouse. The blood was now mixed with what was unmistakably flesh, and it caked the walls where it wasn’t floating through the air. “Marco,” she said. “How many people does a Hermes usually carry?”
There as a pause. When he spoke, Marco’s voice was quiet and hoarse. “Around fifty,” he said. “Maybe more, depending on the mission.”
“Jesus,” she said.
She checked the map. The bridge was just up the corridor, but she really, really didn’t want to find it. Whoever – and she couldn’t stop amending that to Whatever – had either come from or gone to the bridge. In a ship this size, there were plenty of places to hide, but everything pointed to Mara walking into a horror house.
The bridge door was covered with bloody handprints. Mara took a deep breath and thought about how lucky she was that she couldn’t smell anything. Her stomach lurched anyway, and she gritted her teeth and closed her eyes. The suit had ways of handling puke in the helmet, but it was still horrible, and she’d never live it down.
The door opened at her approach.
Except for the floating naked corpse in the middle of the bridge, it all looked perfectly normal. the man was thin and very clearly dead. His throat had been cut, and he was hovering in a thick cloud of dried blood. The main screen was dark, as we’re most of the other consoles on the bridge. Mara moved from point to point, trying to get an idea of who this ship was.
There was an axe buried in the communications console.
To Be Continued… (I keep using that phrase… I do not think it means what I think it means…)